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7th International Sea Duck Conference

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Art Gallery

Art Gallery
7th International Sea Duck Conference

Virtual Event: 8-11 January 2024

A note from the judges….

The Sea Duck Art Competition ran as part of the 7th International Sea Duck Conference and attracted 101 entries submitted by artists from 8 countries. The breadth of subject and diversity of mediums submitted reflects our shared interests in sea ducks and the cultural connections between those in the creative arts and those in the scientific community who study them. As organizers of the first ever Sea Duck Art Exhibition, we are humbled by how these two worlds have come together.

Submissions were sent in as photos or digital versions of the art work and randomly assigned an entry number. Five judges (bios below) viewed all submissions anonymously and selected their top 20 submissions. Submissions receiving at least two nominations went forward. The resulting 32 pieces were then reviewed in detail by the judges who ranked their top 20 pieces and again returned their ranks blind to the competition coordinator. From the combined ranks an overall ranking (1-32) was arrived at, forming the basis of a two-hour online meeting held on December 21st. This meeting proved both invaluable and instructive, as the judges discussed the highest ranking submissions in at times forensic detail to arrive at their final decision to award the winner, runner-up and 9 honourable mentions.

Art is many different things to different people. And that’s exactly why competitions such as this have a judging panel drawn from different backgrounds and interests to better represent the wider community. We try to stay clear of categorising artwork as good or bad. Interesting art should however go beyond the depiction of a subject. Interesting art tells a story; it provides a sense of space and understanding of a subject within its natural environs; it draws in the viewer; and it elicits emotion from them. The judges feel that both the winner and runner-up entries do all of these things. They not only depict their subjects brilliantly, but they both provide the viewer with a sense of place which instantly draws emotion from them. Each piece depicts and opens up a world that many of us haven’t encountered or an experience we don’t usually get to see.

Winners will be announced on Thursday, 11 January 2024 during the Conference Closing Ceremony as well as posted on the 7ISDC Instagram Account @SeaDuckConference

We hope that you enjoy these winning pieces, the 9 honourable mentions selected, and all the other fabulous submissions, as much as we’ve enjoyed viewing and critiquing them.

Steve Dudley

on behalf of the judging panel

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EVALUATION PANEL

Sara Adlerstein

Artist, Aquatic Ecologist, University of Michigan

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Steve Dudley

Avid Collector of Wildlife Art, Retired, British Ornithological Union

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DJ Monette

Native American Liaison Advisor, National Native American Program, U.S. Fish and Wildlife Service

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Walt Rhodes

Wildlife Biologist & Pilot, US Fish and Wildlife Service

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Mesha Wood

Junior Duck Stamp Coordinator Ridgefield National Wildlife Refuge Complex

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Sara Adlerstein

Sara is an applied aquatic ecologist, visual artist and curator. She obtained a MS at the University of Concepcion Chile and a PhD at the University of Washington. She has been painting for as long as she has been a scientist. Her art has been published in books and magazines, shown in galleries and museums in Chile, Europe, Canada, and the US and are part of public and private art collections. She is currently a member of the Ann Arbor WSG Gallery and an Associate Research Scientist and Lecturer in the School for Environment and Sustainability (SEAS).

Steve Dudley

Steve was the British Ornithological Union (BOU) Chief Operations Officer, responsible for the day to day running of all BOU activities, until July 2022. Now a full-time birder and avid collector of wildlife art, Steve was quite good at art at high school, his successful exam piece was of a Black-winged Stilt after which he went on to study graphic design. He designed the BOU’s Janet Kear Union Medal in 2019 which he himself was awarded by the BOU in 2023. He is avid collector of bird and wildlife art.

DJ Monette

DJ Monette currently serves as the Associate Native American Liaison Advisor under the National Native American Program for the U.S. Fish and Wildlife Service. DJ has nearly 30 years of experience working with Tribes - 4 1/2 years with the San Carlos Apache Tribe located in East Central Arizona and 25 years (of which about 23 years serving in a Tribal liaison capacity role) with the U.S. Fish and Wildlife Service. DJ has 3 adult children and 3 grandchildren and loves playing hockey, fishing and hiking and being outdoors.

Walt Rhodes

Hailing from an island in the Chesapeake Bay region, waterfowl have been a part of Walt’s life from a young age. After completing a master’s degree on canvasbacks, he has been involved with migratory-bird management over a 30-plus-year career. He currently serves as a pilot-biologist for the U.S. Fish and Wildlife Service, where his primary duties include flying migratory-bird surveys, banding crew leader, wingbee checker, and scientific advisor for the judges of the annual Federal Duck Stamp contest.

Mesha Wood

Mesha Wood is a Park Ranger for the Ridgefield National Wildlife Refuge Complex in SW Washington. Supporting visitor services, Mesha uses her background in graphic design and marketing to create signage, develop social media and web content, and create visual communication and educational materials for the complex. Additionally, she teaches design workshops for the USFWS National Conservation Training Center and serves as the Junior Duck Stamp Coordinator for Washington State.

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